![]() MOVIE NIGHT GIFT BASKET - CINEMA THEME for BIRTHDAY, ANNIVERSARY or ANY TIME GIFTBASKET (LG) $69.99 What a GIFT! Send this elegant and useful and tasty gift arrangement. They will love you for it! This gift arrangement brings theater refreshment stand goodies to movie nights at home. Movie Night Small Gift Basket Movie buffs will thank you for bringing this all-star cast of favorite theater goodies within reach of the couch. They can just press play...and munch, munch! Features a 10 film reel collectible tin, popcorn, seasoning, candies and more. At home movie watching will never be the same. The highly professional way that this is put together will send the message that you care enough to give the VERY BEST! THIS IS GUARANTEED TO GET ATTENTION! This is SURE to bring a SMILE to Someone's face! And they sure will remember YOU for giving such a great gift! Measures: Approx. Dimensions 10" x 15" x 6" Approx. weight 2.70 lbs. Description 1 -- Movie Film Can Collectors Tin w/Lid approx. 10"x 2" 1 -- Movietime Popcorn Theme Box 10.25"x6"x7.5" 1 -- Twizzlers Favorite Red Licorice 2.5 oz. 1 -- M&M'S Milk Chocolate 1.12oz 1 -- Milk Duds 1.85oz 2 -- Playful Movie Tickets 1 -- Snowcaps Theatre Size 3.10oz 1 -- Jelly Belly Confections 3.5oz Dr.Pepper Jelly Bean 2 -- Microwave Popcorn packages (in film Can Tin) 1 -- Moviehouse Popcorn tall bag .5oz 1 -- Savory White Cheddar Popcorn 1oz Tall 1 -- Film Strip Patterned Ribbon Finished with coordinated shreds, ribbon and bow. Wrapped in clear outer wrap. We work hard to ensure we are sending on your behalf, a quality value filled gift arrangement. Based on season & availability, we reserve the right to make component substitutions using items of comparable or greater value. Sizes and weights are approximate. One thing's for sure... THIS is a BIG, and BEAUTIFUL GIFT ARRANGEMENT! If you want to make someone say WOW - Then GET This Gift Arrangement ... NOW! BRAND NEW Great conversation piece ASSEMBLED HERE IN THE USA. Hard to find. ![]() Handel: Messiah $17.99 As mentioned above, this recording was made in Trinity Church on Wall Street, New York, where The Messiah had its North American premiere in 1770. But that is not the only matter of historical significance to be noted here. This recording was made in 2000, released in time for Easter, when I first heard it previewed on the radio with an interview with the conductor, Dr. Owen Burdick. (Owen was a classmate of mine at SUNY Purchase, where he kept a harpsichord under his bed in what had been my room the previous year. But that was a long time ago.) I have seen Owen several times since, and I have sung operas at Trinity and its sister, St. Paul's Chapel. I was struck by the clarity of the small group of young choristers and the precision of diction, as well as the rightness of the tempi; I resolved to buy a copy as soon as possible an did so. One and a half years later occurred the horrendous tragedy of the 9/11 attacks on the World Trade Center, only a few blocks away from Trinity Church. (The Twin Towers appear behind the church on the cover photograph.) While it became impossible to clear the dust and debris from Trinity's organ, Owen and his choristers, from which the soloists are drawn, were still able to arrange a performance with orchestra and a portable organ, which was broadcast on WQXR radio. That performance, freighted as it was with such profound emotional weight, was the greatest experience of this oratorio I have ever had. I stood on the edge of the mighty Palisades, looking downstream at where the towers had stood, when the sudden crash of the tympani began the final Amen Chorus, and tears flowed from my eyes. I could clearly see the tongues of flame dance above the musicians heads in my mind. Trinity's annual Messiah broadcasts have become a New York tradition. This recording is not so emotionally fraught, but is still an exceptional souvenir, one of three Messiah recordings I cherish; Gardiner's and Marriner's (the later London version) being the other two. There are other particular New York touches: for example,the alto aria "But who may abide" is given to the bass as it was here in 1770, not the alternate bass aria from Handel's London version. As stated above, there is no definitive performance of The Messiah, just as there is no definitive performing version. But Dr. Burdick's choices are musically sound, his artists are fresh and fervent, and their collective passion is evident. This is a fine addition to any collection, not only as an only or additional recording of a masterpiece, but as a testament to the history of the Greatest City in the World, before history changed us forever. |
|