![]() ENOLA GAY CREW (PAUL W. TIBBETS) - NEWSPAPER SIGNED - DOCUMENT 260273 $2,499.00 ATOMIC BOMB: PAUL W. TIBBETS Vintage newspaper signed by the pilot of the Enola Gay. Newspaper signed: "Paul Tibbets, Pilot B29 Enola Gay, 6 Aug. 1945", 38p, 16x21. The complete two-section issue of "The New York Times", New York, Tuesday, August 7, 1945. Banner headline: "First Atomic Bomb Dropped on Japan;/Missile is Equal to 20,000 Tons of TNT;/Truman Warns Foe of a 'Rain of Ruin'". Lightly yellowed at folds and blank margins. Worn edges. Overall, fine condition. Contact HistoryForSale for more information ![]() Towleroad | Gay News Daily $1.99 News, Politics, Gossip, Entertainment, Style, Life, and attractive men totally in the news. "Daily Kos for the gay set" --New York Magazine|"Influential...Must read" --Washington Post|"Popular" --New York Times|"The gay news you need"--PopMuse|"Most complete gay news...funny too." --diedivadie.blogspot.comKindle blogs are fully downloaded onto your Kindle so you can read them even when you're not wirelessly connected. And unlike RSS readers which often only provide headlines, blogs on Kindle give you full text content and images, and are updated wirelessly throughout the day. ![]() Black Gay Blogger $0.99 BlackGayBlogger.com is a blog written by Karsh, a blogger, podcaster, writer, and web designer/developer out of Atlanta, GA.Kindle blogs are fully downloaded onto your Kindle so you can read them even when you're not wirelessly connected. And unlike RSS readers which often only provide headlines, blogs on Kindle give you full text content and images, and are updated wirelessly throughout the day. ![]() The Soloist $29.98 "The Soloist" is a crude and inept adaptation of Steve Lopez's fine book of the same name. Looking for city stories to write about in his LA Times column, Lopez comes across Nathaniel Ayers, a former Juilliard student, now homeless, who plays beautiful classical music in an LA highway tunnel. The movie distorts Lopez's home life, making him a Downey-like loser, and moving wife and kids out of his life to simplify the plot. Ayers is a schizophrenic genius with little need for tutoring or practice. Just give him some meds, the movie seems to say, clean him up a little and plop him on stage, and all will be well. The reality (as captured in the book) is much more complex and difficult to achieve. There, Ayers was good, but very rusty and undisciplined and unreliable, making a stage comeback unlikely. In a rare but inconsistent nod to the book, the movie does not show him as a clear success. Everything about the movie is amped up and turned up. The skid row scenes are snapshots from hell, with writhing, scamming, madmen filling very inch of the screen. In a rare bad performance, Jamie Foxx never manages to get inside Ayers's madness. He is every inch the talented, sane actor mouthing intricately scripted lines, Ayers's mad associations are lost in his rapid-ire delivery. The film confuses the viewer by inserting psychedelic, impressionistic scenes, as when a fire seems to burn outside Ayers's childhood home, that are hard to tell from the straight scenes that surround them. It's has become a clich to say that "the book was better than the movie" made from it. But with "The Soloist," the exaggerations of a bad-enough street life, the tampering with Lopez's family, the inability to wrestle with or even to present questions of how best to help the mentally ill, and Foxx's and Downey's surfacey treatment or their roles make "The Soloist" a must-miss movie. |
|