![]() VuPoint Solutions Digital Film and Slide Converter (FC-C520-VP-BX2) $99.99 With more than 2,000 slides sitting in boxes for 35 - 55 years, the idea of digitizing them was overwhelming. I had tried scanning them earlier with an HP scanner, but the quality was poor unless I increased the pixel count, and then it took 3-5 minutes to scan a slide. With the VuPoint, the process was so much easier and the actual scanning of each slide took less than 5 seconds. But, the best part was the quality, which was as good or better than with my HP scanner. As with both experiences, some slides need to be lightened. I've used my Adobe Photoshop software, so I can't speak for the software that comes with the VuPoint. We can now share memories of events, trips, special people with our family. For the price, the VuPoint has exceeded my expectations. ![]() Tests - Answers for FCC General Radiotelephone Operator License Updated Multiple-Choice Tests from the actual FCC exam Plus Radar Endorsements Tests $24.95 This one-stop guide is your first step to obtaining your FCC Commercial Radio License. It contains everyting you need to know to get a Marine Radio Operator Permit (MROP) or General Radiotelelphone Operator License (GROL), plus the Radar Endorsement. Learn wireless communications and move to the front of the employment line in Radio-TV Broadcasting, Satellites, Microwave, Aviionics, Radar and Maritime. A US Government FCC License is important. Federal regulations require all transmissions and tests performed during installations, servicing or maintenance of a Marine or Avionics station to be made by or under the immediate supervision and responsibility of a person holding an FCC General Radiotelephone Operator License. Even when this license is not legally required for employment, it serves as a government document certifying and acknowledging proficiency in the Communications industry. To obtain an FCC license, applicants must get a passing score on a 100 question multiple-choice exam. The only other requirements for getting an FCC License: Applicants must be a legal United States resident and have an ability to communicate in English. This newly revised 19th edition contains everything an applicant needs to know to pass the exam, including the answers to all questions on the government examination. ![]() Star Trek: Pinball $14.99 I had to give it a one star to get this to the publish review page. I actually rate it as a ZERO!!!!!! And no STARS!!!!!! I have been trying to get it working for years on differnet OS's. Even with an updated video card that can handle anything, and it still will not work. If you buy this remember it is a DOS based program. If you get it to work with either Windows 2000, Windows XP or Windows Vista please post it on this web-site feedback or use the CD as a cup coaster. ![]() Media Diversity: Economics, Ownership, and the Fcc (Lea's Communication Series) $32.95 Media Diversity: Economics, Ownership, and the FCC provides a detailed analysis of the regulation of diversity and its impact on the structure and practices within the broadcast television industry. As deregulation is quickly changing the media landscape, this volume puts the changing structure of the industry into perspective through the use of an insider's point of view to examine how policy and programming get made. Author Mara Einstein blends her industry experience and academic expertise to examine diversity as a media policy, suggesting that it has been ineffective and is potentially outdated, as study after study has found diversity regulations to be wanting. In addition to reviewing diversity research on the impact of minority ownership, regulation of cable and DBS, duopolies, ownership of multiple networks and cross ownership of media on program content, Einstein considers the financial interest and syndication rules as a case study, due to their profound effects on the structure of the television industry. She also poses questions from an economic perspective on why the FCC regulates structure rather than content. Through the presentation of her research results, she argues persuasively that the consolidation of the media industry does not affect the diversity of entertainment programming, a conclusion with broad ramifications for all media and for future research about media monopolies. This volume serves as a defining work in its examination of the intersection of regulation and economics with media content. It is appropriate as a supplemental text in courses on communication policy, broadcast economic and media management, broadcast programming, political economy of the mass media, and media criticism at the advanced and graduate level. It is also likely to interest broadcast professionals, media policymakers, communication lawyers, and academics. It is a must-read for all who are interested in the media monopoly debate. |
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