entire 2007

Emission Impossible?
$1.99

7 Foot 9 Inch Sun Ming Ming Raw World's Tallest Basketball Player Entire Game Uncut February 2007
$25.00
7 Foot 9 Inch Sun Ming Ming Raw World's Tallest Basketball Player Collectors Edition Entire Game Uncut February 2007
You have seen basketball games before, but never one like this.
Most of the players are 5' 7"--6' 3" but one is 7' 9" TALL! Marvel at the amazing height of the World's Tallest Basketball Player, Sun Ming Ming!
See this uncut entire game I videoed in February 2007. This is a must have for all sports collectors.As his name implies, Sun has a very bright future.
I wish Sun Ming Ming the Best!Grateful Regards,
Stan AtamanchukThis product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.

Walter Beasley [Self Titled]

1. I'm So Happy 2. On the Edge 3. Call Me 4. Jump on It 5. Back in Love Again 6. Tenderness 7. Nothin' But a Thang 8. Where 9. I'm So Happy [12" Mix] Walter Beasley's self-titled 1987 debut for Polydor Records offered this new talent on the smooth jazz block as a triple threat: Beasley showed himself not only to be a talented saxophonist, but a fine songwriter and vocalist as well. Though he was deeply influenced by the late Grover Washington, Jr., Beasley took that inspiration far and wide. One need go no further than the album's opening cut, "I'm So Happy." Beasley's soulful vocals and alto saxophone are right up in front of a female backing chorus, a stylist drum loop, crisp synths, and a catchy guitar hook worthy of Eric Gale or Cornell Dupree (though it's played by Freddie Fox). Add to this some Chic-like handclaps and dreamy keyboards, and nursery rhyme refrains with saxophone swirling in the bridge, and you have a bona fide crossover hit. It's a hell of an introduction for Beasley as a modern soul vocalist and songwriter, and he wrote or co-wrote all but two of the album's nine cuts. Preston Glass and Kenny G wrote the following cut, "On the Edge," but Beasley's technical gift on the soprano sax is what's on display here. Kenny G may have written it, but his own chops don't hold a candle to the killer soul, in the pocket rhythmic sensibility, and overall arrangement with the loops and spiraling funky keyboards in this version. Other standouts on the set include the romantic gospel/soul ballad that is "Call Me," the funky "Back in Love Again," and the tough swagger and strut of "Nothin' But a Thang," that was a club favorite and a subsequent single. While it's true that Lionel Job's production sounds dated in the 21st century, most everything that came out of the smooth jazz genre from that period does: the packed compression on the keyboards and drum programming are a dead giveaway to the era, as are the stacked vocals..

Food & Wine Annual Cookbook 2007: An Entire Year of Recipes
$29.95
Honestly the best cookbook I own. Practical, tons of photos, and a huge variety. Love it!