Two Words, One Answer.
biographical film
 The New Biographical Dictionary of Film: Expanded and Updated $24.95 I have been reading about different directors in the book and it has really started to irritate me. Maybe it is just impossible for anyone to write a dictionary like this because no one can see everything and know enough about everything. I find the texts often shallow and one sided. David Thomson seams to prefer films with clear storyline, and especially if it got that "Hollywood" feeling. Now, I have not read the whole book, just bits here and there so this might be too harsh but let me take one example. On Tarkovsky he says that Ivan's Childhood is his best film and from the rest of the chapter one gets the feeling that it is because it is clear what the film is about. Everything from that was kind of down hill, according to him. Andrei Rublev was too slow, too Russian and too long. Solaris was boring. He does not talk about The Mirror or Stalker (just says, after he made The Mirror and Stalker he moved to...) Then he says a few things about the last two films, where one gets the feeling that he is just repeating something he read, empty facts. And that's it. Nothing about cinema of poetry or anything. Either he just did not like Tarkovsky or he had seen next to nothing by him. And here is my problem. If he does not like him, should it shine so clear through? And if he has not seen enough films by him, then why 1) publish before you have done your job or 2) not get someone to write the book with you to ease the load? And this is the expanded and updated edition. I wonder how the first one was!  China Cry $1.99 This is the incredible story of Nora Lam, a woman whose unwavering faith in God has seen her through more upheavals in her life than most people ever experience. This film is an adaptation of her book and is a condensation of Ms. Lam's extraordinary life. James F. Collier, who wrote the film adaptation, also directed the film. In the film, her story begins in 1941, when she was a young child named Sung Neng Yee and lived in Shanghai with her wealthy parents, Dr. and Mrs. Sung (James Shigeta and Frances Nuyen), amidst unparalleled luxury and privilege. She was a spoiled and pampered child, a veritable princess. In December of 1941, Neng Yee's life would forever change, as her family was forced to flee their home, when the Japanese invaders overran all of Shanghai. For the Sung family, a life of privilege would forever be a thing of the past. Nine years later, in 1950, Neng Yee (Julia Nickson-Soul), a beautiful young woman living in reduced circumstances with her family, was a student at Soochow University. She was living on the cusp of Chairman Mao's Cultural Revolution and was now pro-communist in her beliefs. Neng Yee studied hard at the university, and there she met and fell in love with Lam Cheng Shen (Russell Wong), a handsome young scholar with a proclivity for dressing in western clothing. Some time after graduation, Neng Yee and Cheng Shen married. Then, everyone's re-education began. Under the auspices of the Cultural Revolution, her father, a well respected medical doctor, was forced to scrub floors in the same hospital in which he had been a prominent physician. Thus, was to begin the road of disillusionment for Neng Yee. Once persecuted by the Japanese, the Sungs now found themselves to be part of the collateral damage of the Cultural Revolution. Shortly after, a pregnant Neng Yee and her husband found themselves subjected to interrogations by Communist officials, as they were deemed to be suspicious because of their family connections and because of that fact that Neng Yee had, at one time, held Christian beliefs. So, her nightmare began. Under interrogation, as part of her of her re-education, she re-counted to her interrogators her life at a Christian boarding school years ago. During the chaos of the Cultural Revolution, it was thought that confession and criticism were the first steps to social reform in China. Neng Yee acknowledged that for a time she had turned to Christianity, only to have forgotten about it by the time she was sixteen, when she, instead, had turned to Chairman Mao for guidance. As Neng Yee's independent spirit began to chafe under the repressive and oppressive party line, under interrogation, Neng Yee found God again. She eventually found herself in conflict with the state and sentenced to death. Her moment of truth arrived when the pregnant Neng Yee was brought before the firing squad. What happened next is sure to make one believe in miracles. It is at that miraculous moment that life really began for Neng Yee. God promised Neng Yee that she and her family would be free and leave China. The film ends with that promise being fulfilled. In actuality, it is not the end of her story but only the beginning. Neng Yee and her family emigrated to the United States, and Neng Yee became Nora Lam. She went on to live a life that is nearly incredible in terms of its experiential breadth. It was to be a secular life ultimately lived in the service of God in all parts of the world. It is amazing what this young woman would go on to achieve and accomplish in her life. Hers is, indeed, an inspirational story that will make one believe in a higher power, if one does not already do so. It is surely a story worth telling. Nora Lam has gone on to establish the Nora Lam Ministries, which is based in California, and she has led evangelical crusades in China and the United States. One should read the book upon which the film is based before viewing the film. As is so often the case, the book is better. The problem with the film is that it has to cram too much into too short a time period. Consequently, it leaves parts out that would make the story a little more comprehensible. Moreover, while the venerable James Shigeta and Frances Nuyen give excellent performances, as does Russell Wong, Julia Nickson-Soul, as pretty as she is, has too contemporary an edge and lacks the acting chops to be truly effective or convincing in the role. Consequently, this film pales when compared to James F. Collier's other inspirational film, "The Hiding Place". |
|
