![]() BAD GOVERNMENT RESULTS FROM TOO MUCH GOVERNMENT Thomas Jefferson This is a vinyl window letters decal, the size is 8.0 X 19.5. These are sold as a package of one decal and is available as a negative image which is applied to the inside surface of the window. This Vinyl Decal is available in the following sizes; 4.0 x 10.0, 6.0 x 15.0, 8.0 x 19.5, 10.5 x 24.5, and 12.5 x 29.5. To view all sizes available and other similar items search NObama. bad government results 2.0wr $7.99 BAD GOVERNMENT RESULTS FROM TOO MUCH GOVERNMENT Thomas Jefferson This is a vinyl window letters decal, the size is 8.0 X 19.5. These are sold as a package of one decal and is available as a negative image which is applied to the inside surface of the window. This Vinyl Decal is available in the following sizes; 4.0 x 10.0, 6.0 x 15.0, 8.0 x 19.5, 10.5 x 24.5, and 12.5 x 29.5. To view all sizes available and other similar items search NObama. ![]() Cityscape $12.99 This CD is awesome it has a cool mix of music styles great to put on around dinnertime!! Great job to the guy's in Top Floor View Anyone who reads this should BUY THIS CD!!!!!!! ![]() Civil War Photo (M): Charleston South Carolina. Exterior view of Fort Sumter showing result of bombardme $237.00 This is a museum-quality, reproduction print on premium, acid-free, semi gloss paper with archival/UV resistant inks.The print is framed with a single ivory matte under acrylic glass, and shipped insured, ready to hang and enjoy.Original, c. 1865.Topics: US History 1861-1865HISTORY OF THE CIVIL WAR PHOTOSA majority of the Civil War photos come from the original glass plate negatives in the holdings at the Library of Congress. The plates depict the activities both during and immediately following the War (1861-1865). The process of taking photographs during the War was complex and time-consuming. Photographers mixed their own chemicals and prepared their own wet plate glass negatives. The negatives had to be prepared, exposed, and developed within minutes, before the emulsion dried. This was a difficult process to master in a studio setting and even more difficult to work outdoors. Photographers transported their supplies in a wagon, improvised a darkroom, and learned to use their chemicals in both the blistering heat and bitter cold. In the 1880s dry plate negatives were introduced. These glass negatives were commercially available and did not need to be developed immediately after the exposure. |
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