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Mr. Monk Goes to Group Therapy
Mr. Monk Goes to Group Therapy

$1.99
As a person who has spent time in therapy, I am biased towards liking humor directed around therapy situations. Monk goes even nuttier when his HMO directs him into group therapy instead of solo therapy. To make matters worse, equally phobic Harold Cranshaw is a member of the group AND members of the group are being killed off one by one. I have rarely laughed so hard. I am going to be heartbroken when this show ends soon.
ABS Customer Appointment Manager
ABS Customer Appointment Manager

$149.99
I am a CPA who works for a small tax preparation service. We have four tax professionals and one secretary. We recently purchased Customer Appointment Manager to help maximize our number of customer appointments and eliminate our old appointment book system...Customer Appointment Manager is a steal! We've even talked about getting a multi-user version so we can all see our appointments. This software was easy to use and install. Thanks for simplifying the way we book appointments.
Civil War Photo (S): Washington District of Columbia (vicinity). Group of patients in front of ward B. H
Civil War Photo (S): Washington District of Columbia (vicinity). Group of patients in front of ward B. H

$227.00
This is a museum-quality, reproduction print on premium, acid-free, semi gloss paper with archival/UV resistant inks.The print is framed with a single ivory matte under acrylic glass, and shipped insured, ready to hang and enjoy.Original, c. 1862.Topics: US History 1861-1865.HISTORY OF THE CIVIL WAR PHOTOSA majority of the Civil War photos come from the original glass plate negatives in the holdings at the Library of Congress. The plates depict the activities both during and immediately following the War (1861-1865). The process of taking photographs during the War was complex and time-consuming. Photographers mixed their own chemicals and prepared their own wet plate glass negatives. The negatives had to be prepared, exposed, and developed within minutes, before the emulsion dried. This was a difficult process to master in a studio setting and even more difficult to work outdoors. Photographers transported their supplies in a wagon, improvised a darkroom, and learned to use their chemicals in both the blistering heat and bitter cold. In the 1880s dry plate negatives were introduced. These glass negatives were commercially available and did not need to be developed immediately after the exposure.

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