Two Words, One Answer.
EDWARDS STEPS
 Elton John And Tim Rice's Aida (1999 Concept Album) $13.98 I'm so impressed with this album for several different reasons. 3) It's Elton John 2) I loved all but two of the songs! 1) I usually hate the original broadway cast albums and movie soundtracks. They don't do the songs justice. They usually have chopped up versions of the songs and include unnecessary dialouge. I'd love to see every musical (broadway or movie) done this way! I appreciate the b'way versions, but I don't want to listen to them in my car...  Las Pozas; Steps & Falls: An Interactive DVD-ROM for PC/MAC $20.00 Watch Video Here: http://www.amazon.com/review/R99WZ9H6TIW1P This video gives a small sample of the 360 degree panoramas and the embedded video vignettes inside the panoramas "hot" spots. LAS POZAS: Steps & Falls includes over 22 virtual tours of the surrealist garden and 30 video vignettes. The next best thing to being there!  Music of Francis Johnson $9.98 I gather this CD is out of print, but at the time I write this there are a decent amount of used copies for sale here for a very good price. I bought this CD when it was first released, and have always found it an absolute delight. Although it is billed as music of Francis Johnson and other early 19th century Black composers, you're not likely to find anything particularly African-American-sounding about this music. It just sounds sort of like early Americana. Although the liner notes tell of written accounts of the original bands that speak of complex, infectious rhythms and improvisations that the writers of that time found difficult, or impossible, to describe adequately, this long-lost style of improvisational playing cannot be recreated because there is no accurate record of it. In consequence of this the Chestnut Brass, with scholarly discretion, plays these pieces just as written with no speculative improvisation at all. That means that they come out rather rhythmically simple, sounding sort of like antiquated American military music, or music for dancing and social occasions. But even as such, they are beautifully rendered and highly evocative of that long-ago time. What makes this recording particularly quaint is the sound of the instruments, which are authentic to the historical period of the music. They sound very distinctly different from the bright, loud tone of modern brass. Instead of trumpets, we hear either bugles or cornets, which have a darker, softer tone, seeming almost halfway between that of a modern brass instrument and that of a woodwind. All the other instruments share in that darker, softer tone, and there are occasionally some actual woodwinds thrown in, and even a string or two, for some of the dance pieces. It would be really fascinating to know what that more rhythmically free, improvisational style of those early 19th century black musicians sounded like. Could it really have been some sort of early-proto ragtime or jazz? I guess we'll never know, but purely as early 19th century American band music, this is a hauntingly beautiful presentation, one of the all-time favorites in my CD collection. |
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