Connecticut

Christmas in Connecticut
$14.98
Christmas in Connecticut is a holiday film that plays 365 days of the year. Barbara Stanwyck gives a brilliant, sardonic performance as Elizabeth Lane, a columnist for Smart Housekeeping magazine, whose enticing descriptions of the exquisite meals she prepares for her husband and baby on their bucolic Connecticut farm earns her fame as "America's Best Cook." A writer, she is; a cook, she is not. As she types the words, "From my living room window, as I write, the good cedar logs cracking on the fire..." the view is of clothes flapping on the line outside her bachelorette Manhattan apartment. An able supporting cast keeps her lie on life support: her editor, her stuffy and detestable architect suitor, and the wonderful "Uncle" Felix (S.Z. Sakall), an English-garbling Hungarian chef who provides the recipes that fill her column. Cut to Jefferson Jones, a sailor adrift at sea for weeks after his destroyer is torpedoed. Memories of the food described in Lane's columns are central to his survival. After his rescue, as he's recuperating in a naval hospital, a marriage-minded nurse thinks she might nudge Jones to the altar if he could only experience a real domestic Christmas. And it just so happens that she was nurse to the grandchild of Alexander Yardley, the wealthy and powerful publisher of --you guessed it--Smart Housekeeping magazine. And so, she pens the letter that could unravel Lane's carefully constructed fraud. She writes to Yardley asking that Jones be included in America's ultimate Christmas--the one to be held at the Lane family farm in Connecticut. The pompous Yardley (ably portrayed by Sidney Greenstreet) believes the Lane myth and instantly sniffs a story that will send his magazine's circulation skyrocketing. And staring down a lonely holiday, he decides to join the Lanes for Christmas on the farm, too. Now, all Lane has to do is come up with a farm. And a husband. And let's not forget the baby. Christmas in Connecticut is classic screwball entertainment of the best kind, with its on-target skewering of social convention and house-of- cards-about-to-tumble tension: a perfect farcical vision of domestic blitz. --Susan Benson

Fundex Games Bulls-Eye washers - University of Connecticut
$49.99
University of Connecticut Huskies bulls eye washer toss game. University of Connecticut Huskies toss game is similar to horseshoes. Players heave washers at the bulls eye target and score three points for hitting the center bulls eye cup and one point for landing it in the box but not in the cup. The first team to 21 wins! The game is completely portable and can be set up for all different skill levels. Includes two wooden boxes and 8 washers. Perfect fun for the backyard, cookouts, and tailgating. Each box is 13 square with 3 5/8 high sides. When latched together for carrying, the game is 13 x 13 x 7 .

Connecticut Huskies NCAA Logo'd Executive Cufflinks w/ Jewelry Box by Cuff Links
$50.00
The official logo of the University of Connecticut Huskies. Enamel finish cufflinks on a nickel plated backing

Couldn't Keep It to Myself: Wally Lamb and the Women of York Correctional Institution (Testimonies from our Imprisoned Sisters)
$14.99
Any book that can give voice to the voiceless should be celebrated. No one feels this more strongly than Wally Lamb, editor of Couldn't Keep It to Myself, a collection of stories by 11 women imprisoned in the York Correctional Institution in Connecticut. Teacher and novelist Lamb was invited to head a writing workshop at York Correctional Institution in 1999. His somewhat reluctant acceptance soon turned into steadfast advocacy once the women in his charge began to tell their stories. Lamb maintains that there are things we need to know about prison and prisoners: "There are misconceptions to be abandoned, biases to be dropped." However, as heartfelt as his appeal is, nothing speaks more convincingly in this book than the stories themselves.Those collected here are disturbing and horrific. They reveal, often in graphic detail, the worst kind of abuse: incest, drug addiction, spousal violence, parental neglect, or incompetence. They're also testimony to what social workers and health care professionals have confirmed for years--that those who populate our prisons are often victims first themselves. Thus, the telling of these stories serves as a form of therapy. They are also sad accounts of the brutalities many suffer, yet few discuss: "One day I figured out a dying little girl lived inside of me, so I threw her a lifeline in the form of paper and pen." Considering the degradation the contributors have experienced both in and outside prison, the courage, candor, and honesty with which they speak truly make these stories, as difficult as they are to read, "victories against voicelessness--miracles in print." --Silvana Tropea