Andrew Sullivan

Early Modern English Poetry: A Critical Companion
$39.95
Early Modern English Poetry: A Critical Companion presents twenty-eight original essays on the major poems of the English Renaissance. Each essay is written by a leading scholar and examines a poem in the context of an important topic in early modern culture. The selections provide groundbreaking scholarship on subjects ranging from the invention of English verse, Petrarchism, pastoral, elegy, and satire to women's religious verse, the politics of town, the place of homoeroticism, and Cavalier poetry.
An ideal supplement to both primary texts and anthologies of Renaissance literature, Early Modern English Poetry offers fresh approaches to poems by Sir Philip Sidney, Edmund Spenser, Christopher Marlowe, William Shakespeare, Aemilia Lanyer, John Donne, John Milton, and many others. The first three chapters set the rest of the volume in context with coverage of the sixteenth-century invention of verse, print and manuscript culture in early modern England, and Renaissance treatises on the art of poetry. The remaining chapters are structured around authors and their works--which are each related to a specific issue in early modern culture--and organized chronologically according to the dates of composition or publication of the poems discussed. This innovative and flexible design corresponds perfectly with courses in which students first read a primary text and then expand their understanding of the work with detailed critical commentary. The book is enhanced by a general introduction, recommended reading lists at the end of each chapter, and a chronology of Renaissance poetry tailored to the book's contents. Early Modern English Poetry provides an accessible introduction both to a key selection of canonical poetic works in English and to historical and cultural topics that illuminate them.

Love Undetectable: Notes on Friendship, Sex, and Survival
$14.00
Andrew Sullivan made a reputation for himself by being elevated at a very young age as a senior editor of 'The New Republic', a position he filled from 1991-1996. He continues his journalistic career by writing for 'The Times' (London) and 'New York Times Magazine', as well as contributing articles to a large number of other periodicals.At the height of his career, Sullivan made the announcement made the announcement that he was HIV-positive. In saying this, he made the assertion: `I intend to be among the first generation that survives this disease.' Sullivan has occupied a difficult position politically - tending toward conservatism that doesn't sit well with much of the homosexual community, he also tends toward political positions (such as pro-same sex marriage) that go against much of the conservative sentiment. In this first book, 'Virtually Normal', Sullivan argued for an acceptance of same-sex marriage; he followed that up by editing a collection of essays and contributions by others on the same topic.However, his latest book, 'Love Undetectable', is a very different book. Insofar as Sullivan's life is inextricably bound up with political, historical, and sociological writing through his profession, that is reflected here, but this is a very non-political book. Consisting of three essays, it is primarily reflexions on the life of a survivor, who has yet to become a successful survivor - Sullivan himself. Sullivan is bound to alienate all sides in some ways once again with this volume. He takes on both the church and religious side and the gay liberation side in his first essay: When Plagues End. 'The gay liberationists have plenty to answer for in this. For far too long, they promoted the tragic lie that no avenue of sexuality was any better or nobler than any other; that all demands for responsibility or fidelity or commitment or even healthier psychological integration were mere covers for "neoconservatism" or, worse, "self-hatred"; that even in the teeth of a viral catastrophe, saving lives was less important than saving a culture of `promiscuity as a collective way of life', when, of course, it was little more than a collective way of death.'Of course, this quotation is bound to please the fundamentalists, who would love to paint the gay community as a `collective way of death'. But Sullivan doesn't go lightly on the other side, either. Sullivan recalls a time when the AIDS quilt was in Washington, and during a service at that time, in the heart of Washington's gay community, the priest at the church began a sermon with the words, `Today, few of us know the meaning of a plague like leprosy....' Sullivan of course had words with the priest afterwards, and asked him quite bluntly if he had ever heard of AIDS. This is a very personal journal of Sullivan's, presenting his arguments in full concert with his emotions and experiences, of friends who have been public and friends who have stayed silent about their orientation and their disease, those who are reckless with their health and those who are determined against their illness, as is Sullivan himself. A remarkable journal of an interesting person.

SULLIVAN: Victoria and Merrie England [CD on Demand]
$8.99
OK, I am a Sullivan fanatic and am pleased to have this recording (which is very well done by the way). Sullivans very best music was ironicly left in the Gilbert and Sullivan operettas and you can hear wisps of that sort of thing here. I am likely to use the disc as light background music. It is pleasant but not earth shaking.

Sullivan: Gilbert And Sullivan Overtures
$7.99
I recommend this recording for all G&S fans. The overtures, including all of the well known ones and a few that are obscure, are very nicely played and nicely recorded.